The performance emerged in the Dasong Garrison, integrating classical music with rural movement to mark the unveiling of an imperial gold plaque. Over six centuries, the dance style matured into a robust, uninhibited display of local vitality. Central to the tradition are its Nine Major Roles, which serve as grassroots cultural envoys, supported by improvisational performers portraying mythical creatures, donkeys, and land boats to expand the narrative depth of each stage appearance.
For residents of the Jiaodong Peninsula, the dance is inseparable from the lunar calendar. A local adage notes that the dance fills the first month with play and the second with bustle, serving as a critical mechanism for strengthening community bonds during the Spring Festival. Beyond the pageantry, the movements reflect a deep-seated gratitude toward the Yellow Sea, acting as a spiritual anchor for regional fishing communities. Recognized in 2006 as a National Intangible Cultural Heritage, the dance now functions as a primary driver for Haiyang’s cultural tourism and a symbol of the city's aspirations for the future.

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